part 3, from the vinyl version of pooleys latest album >in other words< . no other than pooleys buddy derrick carter is in charge on this one. the original is an 80s inspired deep house track featuring the great tim fuller on the vocals . carter turns it into a fierce chicago jam by cuttting up vocals and adding heavy synths...

the mighty kid cudi gets the crisp bisciut treatment this time around, his massive track night & day gets transformed into a party breaks monster!

no let up from those disco deviants ! for number seven in the series the imprint is proud to release the first set of edits by the rather excellent situation. they first came to light after passing a cd to greg wilson after a gig. he was blown away by the quality of their edits and they instantly started to feature prominently in his sets to much acclaim. then greg included one of their cuts pushin on on his recent resident advisor mix and their talents were a secret no more as the interest flooded in. that track pushin on features on this release. instantly bringing to mind classics like remember me, unfinished sympathy and back to life, it really is a wonderful piece of music which moves both the body and the soul. on the flip, they rework jazzy dees wicked electrofunk track get on up into a dj-friendly dancefloor bomb. its an amazing debut and theres much more to come on their own imprint which is launching this year. enjoy the music

dave clarke on both artists:sie: i cannot exactly remember how i came into contact with sie, but i remember the warmth that i felt from her music, this is one of white noises more melodic moments just to show the broadness of music out their that deserves to be taken notice of.

>italys finest exponents of fidgety bassline ... create a blistering italo electro masterpiece... this confirms them as an act to listen out for in 2009.< dj mag !! leaders of the italian electro-fidget front blatta & inesha are back once again on hell yeah for a new special 12inch double a side designed by our very own neverending, on the a side revolution is the ultimate sicilian stomper, hip-hop influenced tricks and energy fuelled grooves, revolution has been included by drop the lime into his latest mix for fact magazine and dj supported by all the sinners in the scene. on the aa side they team up in the studio with latest italo legend in the makin congorock (fools gold,).

schieber continues its way into more easily grooving realms and comes up with these new, elegantly sparkling tracks by berlin resident drei farben house who has already caused a stir with his delicately balanced releases on force tracks and brut!. for schieber drei farben house gives two different insights into his understanding of house music: sander is more tracky and relies on looped chords which bring you closer to house heaven with every repetition, while manifold percussions together with the beats provide the necessary injection of funk. in contrast, anagram expands the frame of grooves and chords for finely ramified bell sounds and softly glowing melodies. for his remix of anagram house routinier prudo (moodmusic/dirt crew) reduces the melodies and displays a firework of funky sound bits - a perfect tighrope walk between minimal and house which combines the best of both worlds.

played by villalobos & raresh !! what a way to start off 2009, a very strong ep delivered from catwash aka chris carrier & dj w!ld with remix from lemos & kreon. groovabilisme (original) hits with its’ crafty tech-house stomp, killer kick, and fun tribal groove. a very interesting concept on this production, as the deep grounding rhythm is super floor filling, yet the space between gives it the perfect air for the huge sub that just rolls this cut to the top of the charts. a sure shot for all players. kreon’s mix stylizes with more jack then jack himself. his vox arrangements give his cut a pop, lock, and rock it knack for the true school dancer. this remix takes any spot in a set, it’s got the capability to kick it big or be slow & deep, depending on how a player wishes to pitch it- a brilliant & effective production. lemos rocks the bells a for main lead rhythm, an excellent perspective to make for a clever & diversity ep. his mix creates a driving hypnotic bender with enough thump & smack to keep the bells intact and still lead the floor into a seductive sound scape of a moving utopia.

wdywsw is a slice of high energy powerpop, with affecting agitprop lyrics asking one of the most relevant questions of our troubled times. parisian genius rob totally flips the script by translating the song into the sad, plaintive language of late night soul searching. and thanks to pacifics elegant pop version, the sun is beaming from sweden. poney poneys first album is being recorded right now, with xavier de rosnay (of the justice fame) still rolling for the band. beware.

nice price deal !!! first up we have one of the uk stalwarts of the soulful house scene mr phil asher with a superb restless soul package of mixes. phil has been a regular on the soul / boogie/ disco/ house / jazz / latin scene for over 18 years, djing all around the globe and producing some of the best music to come out of the uk. stepping into the deep house realms we have the legends that are the inland knights, forming in the early 90s through the >free party scene< in the north of england, laurence ritchie and andy riley were firmly entrenched in the regions rich legacy of house music. releasing tracks on their own imprint drop music for over 10 years they have firmly put their size 10s in the world of deep house, culminating in the recent release of their triple cd >10 years of drop music< at the end of last year

ltd backstock !!! label chief and king of nyc late night mythology, francois k returns with a bit of his patented deep space madness. starting with a tempo reminiscent of a 45 played at 33 1/3, a delicate plucked bell-synth bathed in a medium hall reverb leaves ethereal impressions and late night energy. as the melody drops a minor third, another enchanting counter melody joins the mix and adds a rather divine legato styling. after the lead fades out, a percussive interlude full of syncopated noise hits develops: leaving room for a break that reintroduces the main vibe and instills a sense of resolution. the flip carries a remix from quiet village, who has been starting deep space nights with positively solid performances. taking a more club-hyped approach, this rework pounds forward with a massive rumbling kick drum and an underlying noise wash. the main lead gets some serious filter and delay treatment making for a more progressive drive and a versatile dancefloor hook. tweaking things a bit at the break, the melody morphs into a sort of latin-minded groove with portamento glides, edited accents and sharper hits. still keeping the passion and charm alive, the new demise accents francoiss tasteful tune while boasting contemporary excitement

a welcome return for harry choo choo romero & long term studio partner jose nunez back with a massive summer anthem that is sure to light up miami & ibiza this year. based on a sample of the classic high energy over a relentless groove 2 remixes from dj dlg that turn it into a real terrace anthem

frog meets fink for some fakking funk! they put beastie boys, tom jones and ??? into the mixer, add some polkabeats, broken madness and a good dose of evil laughter and end up with us rolling on the floor!

fortek superstars caie! & lagora join forces on this slammin techno release called dirty wings. caie!s white wings is a rough and nasty percussive dancefloor banger with influences of the 90s tribal scene combined with the wicked tricks of todays techno music. lagora comes with a storming take on black wings. deep basses and fat synth work provide for the perfect party at midnight! last but not least we bring you dirty wings in an amazing remix. byron bogues, head honcho of choke music and eruptive, manoeuvres things into deeper territory. his take on dirty wings is like taking an analogue bubblebath: warm and sexy!

phantasma one is the first 12?,, of our second compilation, featuring”clapper” by tobias. and efdemin s “hope”. we are astonished and thrilled this split ep doesn t even sound like one but is of beautiful consistence and adequacy. “clapper” hypnotizes from the first second with a straight forward percussion rhythm which curls inescapable upwards even in the mind of an inattentive listener, pushing ahead with classic machine drums driven with a both glaring and harsh attitude. the crystal surface of efdemin s “hope” is woven into a plait of swelling basses and enriched with extensive spins of snare rolls and precious carpets of highlighted chords which seems to rise out of the drums which carry the whole track with slick efficiency. without a doubt this vinyl will be in every record case for a long time. grab your copy as long as there are some.

well known on the dnb and dubstep scene for his fiendishly twisted artwork, uk creative genius monsta is also a beast of a producer. in this, his third release for subtrakt he teams up with >mr key< to bring us >space raiders<, a vocal dubstep demon of truly gargantuan proportions, so huge, in fact that it threatens to bring down mankind itself. or maybe its just a packet of crisps? dean rodell bravely attempts to contain the threat on his remix, but an army of space raiders march up out of their packet and flatten the whole city using a supernatural arsenal of sonic weapons that pull down skyscrapers with rasping bass and fry a million brains with shrieking sirens that can be heard in even the far corners of the galaxy. on the second remix dnb hero >raiden< stands up, and the guerilla war begins. taking his inspiration from the paranoid b-movies of the cold war era he morphs the original lead sounds into something so spooky and bizarre the space raiders have no choice but to pack their flying saucers and piss off back to zetareticuli. phew, that was close. supported by maryanne hobbs (bbc radio1)

after a long break quagmire strikes back with a limited recordrelease. 300 pieces of vinyls only. this time, ion ludwig teamed up with thomas azier, a young dutch rising singersongwriter. together they blended their particular styles into four different tracks, all working soulfully and musical. all tracks where created with own recorded sounds. keys, vocals, harmonicas, djembes, bongos, shakers and so on where played by ludwig & azie,

woody mcbride unleashes a zoo of sounds to capture our brains. evil acid frogs join rattlesnakes armed with chainsaws on their beatdriven ride into the sunset of madness. breathtaking!

bosconi is back with his third release featuring the naughty quitèfrut guys, label boss fabio della torre and his parisian-berliner mate mattako. the orginal tracks are the spontaneous results of two afterhourmakingmusic studio sessions and what came out are two proper minimal kickass bass throbbers, dry but fat dj-tool house that take inspiration from daniel bell, baby ford, zip and mike ink works. the production is concentrated on the use of analogue instruments that give the tracks a deep and warm feeling with an oldskool vibe. ?absoluca? is a trippy and hypnotic blend of tight and intricate grooves enriched by subliminal cinematic samples, tropical atmospheres and sinister male voices. special guest on bosconi this time are robsoul boss phil weeks and didier allyne under their p&d guise who drop out a very effective dance mania style remix of absoluca, a dancefloor smasher tool that goes straight to the point, strongs 909 kicks and aggressive hi hats those take you back to the chicago warehouse party time, and we think ron hardy wont have disappointed this at all !! last track called at some point? is a deep driving techno track that open your senses, the groove is detroity and the sounds of synths draw into your brain and don?t let go. open your mind to the sounds of nature!!

on the new ante zenit you can dive into the night with the a side.. the flip comes more progressive.. limited backstock!!!

twenty nine, originally being released three years ago, now coming in an updated 2009 mix by mr. broom. extreme significant signals and hideous voice samples embedded in a stunning hypnotic groove will transform every clubs peak time into a roller coaster of euphoria

our spanish collegues oel polygon have redefined themselves. leo and omar cobble on together as a re-up in musical togetherness. nonchalantly as usual- the two keep on cooking crispy tech-house to the limits and let the heart of the club-gourmets melt away. between venice and barcelona they have peeled especially pretty models out of their sequencer. “inside us” is telling us a lot about the drive of the record and strives with tough techno-vocals the hit pig across the upon you court. once you’ve wrapped out the a1 bon-bon you’ll find yourself greedily diving into the b-side, which- together with “phonobox” and “dos por dos” skilfully completes the box of candies

ricardo villalobos playlist!! the endless white of the far north. the opening melodies of adam marshalls >north at night< can be heard faintly over the whistling wind. a small black dot appears at the centre of the distant horizon. at first it appears to be still, but gradually we recognize movement. over the next few minutes the shape begins to grow until it has defined the image of a man walking towards us. as he approaches, the music grows clearer. like the warmth of the first sunlight >rose mountain< radiates its glow through the use of a flurry of rhodes electric piano chords. adams signature percussion permeates the dub and binds its elements into an infectious groove. >mfb flex< is the counter balance to the organic flow of the other cuts and molts the warmth into a techno roller designed for the long player mix. marshall said… >ive long been intrigued by that incredible tapestry of tundra and taiga which constitutes the arctic and sub arctic of our country. ive read about it, written about it and even pulled up my parka once and gone there, yet, like all but a very few canadians, ive had no real experience of the north. ive remained, of necessity, an outsider. and the north has remained for me a convenient place to dream about, spin tall tales about, and in the end, avoid<

following up his well-received works for statik entertainment, dublins leonid proudly lands at sistrum with three new tracks, crafted in his signature style of mature, classic depth. on the first track >sadim< a gorgeous bassline leads the way into gentle percussion and warm strings, as slightly acidic synth stabs take you back to the simpler days of dance. honest, unpretentious and deep. classic vibrations abound on the following cut >potsandpans<. the bassline sets the tone as sonic layers slowly build into a timeless groove that could easily go on forever. a beauty, by any standard. the ep closes with >shortwave<, a low-slung, shuffling groove, >shortwave< bumps along with the help of a round analog bassline and sharp claps, as shimmering chords swirl hypnotically. this one is destined to define many a late-night dancefloor moment

the biggest anthem of 2009 has officially landed, in the colorful form of cyan from the amazing french producer arno cost. this is dance music on a theatrical level with emotions and senses taken to another level not heard for many years in clubs. arno breaks the rules and hits you time after time with outstanding uplifting riffs and emotive strings and piano all locked down tight with a thumpin bass and backbeat.this will be the biggest tune for miami and ibiza for many seasons ahead not just for this year. a true gem has been delivered to lift the worlds dancefloors into heaven. thank you mr cost!

remixes come from two heavyweights of their respective scenes. in a once in a lifetime meeting of the super exclamatory dance heros, dfa stars holy ghost! fully actualize the disco potential of the song, turning it into an eight minute workout, with nancy whang (lcd soundsystem / juan maclean) providing additional vocals. bart b more needs no introduction, the man is electro house incarnate. all the requisite dancefloor shattering moves and for a funkier take on turning the world upside down, check out his dub mix.

techhouse, progressive, forward but everytime with a soul in it, minimal trance for the good feeling moments, tribal grooves, define robin hirtes tracks is quite impossible. a mix of different genres that explode into an ep with 3 club oriented tracks. pickin only one is impossible too, and this is the reason way this vinyl is yet on the dj bag of so many djs!!

new kanada enters the year of darkness with two cuts of techno that go straight for the throat. raw house music for mixers, jackers, and people of ill repute everywhere. side a features a slamming remix of murr’s “stay” track by adam marshall. murr’s original moog bassline gets jacked into a dj-friendly mix weapon of the highest calibre. 10+ minutes of erratic hats, swung snares and some weird noises that would do octave one proud. sibe b is a homage to our favourite analog mixer of days gone by - the numark dm1950. mood edit embraces the chaos of chicago house, and the class of new york city in this long playing dub tool that will be sure to evoke fear in the legs - and passion somewhere inbetween. complete with off kilter bassline, counterpoint bump, and a long deep mix for the heads.

marc ambrose and alexander purkart are the bellringers and send 3 deephouse pearls into the ring for round #3 on force inc. us. quality 1998 release.

upcoming talent from detroit and moscow meet on this first remix ep, based on the jason fine album, our music is a secret order. first out is the grandson of moscow - anton zap, with a remix of the track half. in the hands of anton, the original is present but with a major zap stamp on it. bent and quirky sounds, warm harmonies and baseline are edited into great house music. it is not often a remix out stands the original, but this time it might be the case. on the b-side luke hess gives his blessing to the dub track midwest_n. as the name implies we are going for a deep techno ride to detroit. with scientific perfectionism, hess approaches the dance floor, mixing warm sound-scapes and dub-cords with driving melodies, cymbals and claps. the result is once again elegantly produced mind transforming dance music. anton zap made his entrance to the house music arena through jus-ed and his underground quality label

>were back with a couple quick and sneaky mixes of >rave is king< for early 2009, we just didnt think you had enough of this anthem last year. first up on the take is atls blog wonderkid le castle vania who keeps things pretty close to the original but just a little heavier and a lot more twisted vocoder effects on the vocals. on the flip we have berlins nhan & taan with their electro boogie mix. on first listen the n&t mix sounds like a banger of a downtempo head-nodder but if come up into some serious electro madness primes for the most discerning djs with a flair for the old school. again we remind you, rave is still king !!! coco machete team<

recorded at the bands own illegal combatant studios and the world renowned blasting room in ft. collins colorado, supporting caste is the fifth full length release from winnipegs political punks propagandhi. crafted in collaboration with bill stevenson (black flag, descendents, zeke, 7 seconds), this twelve song collection of boundless power and depth is a 50.000 watt forward thinking tip of the hat to giants such as voivod, rush, snfu, sacrifice, razor and guilt parade, that have gone before them. legendary and unrepentant residents of humankinds ideological peanut gallery, propagandhi does not disappoint with supporting caste, launching crude rockets into the heart of the prevailing order with meditations that range in focus from the humane slaughter and consumption of non vegans in an elaborate 18 course banquet (with wine pairings) to the apparent confusion of turning on the tv to watch a simple hockey game and having to wonder whether or not the nazis actually lost the war after all. supporting caste: 12 new laments, reveries and extrapolations from 4 visibly aging prairie skids who still cannot believe that of all the gin joints in all the galaxies in all the universes, they had to be born on.

so give us a pat on the back: five years and still alive - maybe was a rule once, but not any more. the idea always was to leave our mark: this is our credo. and thus it is also continued in 2009 cheerfully. the first congratulations on the first part of the compilation series on the 5-year-old existence of the label comes from sweet n candy, with his first track on lebensfreude since his legendary multiplex ep. in addition best of hamburg - sven wegner, also since the day of birth in the house of lebensfreude. besides, label boss gunne in cooperation with spainsh hd substance. modern techno with an oldschool atmosphere. also there s a hope into the future: mariano dc from buenos aires allows to perk up our ears with his evidence of how a bassdrum is screwed in argentine main town

if you like your old classics with a new twist then this needs to be purchased asap as only limited press! a fresh rework of an early underworld production that really kicked start their journey to stardom back in 1993. from barcelona with love who are getting some props from many djs at the mo, plus no strangers to the scene who have worked with the likes bush, tapas...plus more. keeping parts of the original vocal and strings, churning into a growling spaced out tech journey that doesnt loose any impact...four/four all the way. quality!

as some of you may have already noticed, each release of mr raoul ks >peul< series features a specicific african instrument as its main sound. this time its the balafon - a kind of sticcado, which uses calabashes as resonancebodies and is often handcrafted by its player. here, the balafon is used as a rhythmic and a melodic instrument. after a long intro, the track gathers momentum and takes off for one of those long buildups. when the tension is released, in come the vocals! rising from a sparse chant to an energetic vocal that empathically pleads for unity. then you get your beats back and off goes another african-european joyride. for those of you who arent that much into vocals, a less vocalized mix is provided on the flipside. enjoy another mr raoul k special treat

after a 2 and a half year wait i finally managed to knock out a new single. its actually only my 3rd solo single ever. im very happy with it but ive got mixed feelings trying to describe it. you spend a year working on a track and a lazy shop worker or journalist will lump you into the >cosmicbalearicspacewhatever< straightjacket in 2 seconds, i can at least resist to do the same… anyway, two are quite psychedelic and one is some kind of cover version of one of my favourite villalobos trax. as you can hear ive had loads of fun fooling around in the studio playing the bass, percussion, drums(badly) and synths(even worse…)…

benny rodrigues produces a package that lives up to its name. ‘i like’ ep oozes influences from detroit techno and masters a current take on an age-old sound. ‘i like’ is delicious, wrapped in vintage sounds, it creates a true party atmosphere. ‘reel’ is coproduced with fellow dutch musician kapuchon. this is the sound of old school flavours, tearing into the past and the present and creating a winning formula. benny rodrigues was born and raised in rotterdam, and held residencies at some of holland most influentual clubs from the age of 17. he has toured with his musical hero, the legendary josh wink, been asked twice to perform at the detroit electronic music festival and headlined and closed the legendary dance-festivals dancevalley, mysteryland and extrema. somewhere along the road, benny met the rookie nick van de wall aka kapuchon (aka afrojack for his more mainstream appealing productions). they decided to combine their passion of music, resulting in coproductions for white noise records, spinclub records and others. this is benny rodrigues first release for the israeli imprint, be as one. his releases have begun to find allegiances with artists such as steve bug, radioslave and be as one’s own shlomi aber. being regularly charted and played by the best, benny is stepping into the global arena.

one year after his first ep on cargo edition, kostas tassopouls aka ekkohaus delivers to the label another incredibly strong release. the native-born greek, now living in berlin, has developed into an skilled producer who rides the line between techno and house. the combination of reduced, hypnotic and impulsive arrangements with a subtle deepness are typical of ekkohaus’ sound, demonstrated perfectly in the two tracks of this ep. “unsound” is characterized by his smooth, almost elegant rhythm. a repetitive meandering vocal sample weaves through the track, sounding familiar yet haunting at the same time. the track is already played by many key dj’s and is definitely to be heard more often within the next months to come. “moon talking” focuses on a more standard vocal which gives the track some pop-appeal. at the same time the introverted male vocal introduces a very catching harmony which will undoubtedly have a huge impact on the dancefloor. with this ep, ekkohaus cements himself as one of the modern-house talents.

the bellringer series continues with 2 tracks by marc ambrose and alexander purkart, who dive deep into an ocean of bass on this 1998 release.

sometimes it just happens. a brand new debut artist arrives, no pomp, no hype, just incredible genre defining music. frank booker is one of those rarities. an artist with a love of deep disco and even deeper house music, frank wears his passions on his sleeve without ever veering into pastiche. with this 3 tracker debut for untracked the future is bright!!

fresh off the release of their debut album, patrick dsp and pauze return to the studio and have provided us with another techno stomper. ball and hoop starts out with a killer intro which is going to be a sure fire starter for a lot of hard techno sets all over the world. this leads into a pounding percussion beast with a throbbing kick and punishing bass line. dont miss this one folks! monocores track starts with a pounding kick and nice crisp hats. the bass line alone is strong enough to shake the foundation of your house, so make sure you provide your audience with a construction hat before they decide to take on these beats!glenn wilson has been secretly hiding in his studio producing the powerful techno that he is known for. glenns furious signature kick and bass joins up with an incredible synth riff that will be dancing in your mind for a long time to come. make sure you grab this one up quick because its going to be a hot one!

autodiscotheque continue their demonstration only series of cut up dancefloor weapons with two top edits from alexandra parade (rumoured to be none other than legendary optimo selector and editor j.d. twitch). first up is barneys bubbles a heavily chicago influenced take on movin by brass construction. on the flip bronski beats classic smalltown boy is chopped and teased into a jackin slice of arpeggiated nrg bliss called ruchill rumpus that delivers maximum impact.

mathias schaffhaeusers excursions into whiteness, where any edge is protected by a fluff of white noise. sparkling!

bleeps, clicks and quirks escape your speakers as soon as the needle drops into the groove - and even that moment is an essential element of the transition from your world to frank bretschneiders universe of sound.

axel karakasis once more unleashes his talents and demonstrates his skills in the piranha e.p. in the first track on the main side, the techno wizkid mightily combines a set of systemshaking loops and detroitfunklike piano keys that escalate into a crazy pitching, distortion not to be messed with! add to these some powerful percussion and ominus snares, together with karakasis trademark filter spins and twists and its an epic track that stands out on its own. bloody chamber alternates between nocturnal basslines, vicious subbass and high-pitched synths that are spinetingling. here, axel flirts with electro but you can always rely on him to bring in some serious groove: the result is solid, coherent and the track is something more than special!! the remain side proves equally mindblowing and. flesh eating! piranha is a stunner, adorned with aggressive drums, booming beats and odd sounds throughout the track. once again, it is axels energetic style that comes through, making this track a powerful club tool

teardrop returns with their second release! after the epic gentle ep by lovebirds that made it into every house and deephouse djs wallet (or box) the other labelboss, vincenzo is revealing his secrets now!

inigo kennedy keeps pushing the boundaries of techno into spaces, no ear has heard before. constantly grooving atmospheres, fading between moods ... and again 3 cool loops to play with.

in contrast to a recurring theme of uninviting releases by labels that seem to offer tracks- so easy to digest they get lost with an un-inspiring and flat feel, the collaboration of hermanez and ramom tapia is a coupling of dark moods and techy deepness, listen even deeper and you?l find a wealth of detail stuffed full of mythical rides push an organ into a dark corner and have it brutally assaulted by a groove-hungry gang of latin approved drums and the outcome is pretty much that of miconns second release. syncopated sturdy percussion and hi hats sit amongst a spring-loaded beat whilst lazy organ keys relax the pace

this bush/k.r 028 - 12 is yet another slice of true tehcno. the advent & industrialyzer come as one for this serious 12 release. with 3 powerful tracks that take you into another dimension.. with some tributes to detroit, bringing back the 303 & with new direction & flow..

dje lean aka confetti bomb has worked for a very well respected london record store for 9 years. hes also been a dj & live performer since the mid - nineties and has put these combined experiences into creating a unique form of stripped down, deep techno. his fever ep for london label underl_ne was featured on the uks bbc radio one and received extensive dj support at the highest level. he also features in the juno records 10th anniversary remix series with a peak time re work of carl craigs detroit experiment classic think twice. his debut ep for autoreply features an appearance from one of his favourite producers jerome sydenham who takes time out from his hectic dj schedule & ibadan label duties to provide us with a truly timeless mix of 10 second detox. with its persistent rolling percussion & warm deep pads the mix satisfies all senses. a short interlude follows this in the form of 5 second detox - created using an atari st & beat up yamaha sampler. this is the perfect tool to start or end your set with or to add your own beats to. the choice is yours. on the aa side we have 20 second detox - big sounding hooky techno featuring crisp percussion & analog synths incorporating long warm beatless periods with bursts of pounding drums. this track teases you until the mid section where it goes off all guns blazing. finaly detox is a lofi housy workout which has been described to us as troy pierce meets inner city...sounds interesting huh? drop the needle on it & make up your own mind.